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Go is a strategic, two-player board game originating in ancient China between 2000 BC and 200 BC. Go is a popular game in East Asia. The development of Internet play has increased its popularity throughout the rest of the world. The English name Go originated from the Japanese language|Japanese character 碁 (go). The Chinese language|Chinese name 圍棋 w?iq? roughly translates to the "Board Game of Surrounding (One's Opponent)", or, less literally, the "Enclosing Game". According to legend, the game was used as a teaching tool after an ancient Chinese emperor designed it for his son, who he thought needed to learn discipline, concentration, and balance. The son went on to become the first great player, a good emperor, and a balanced human being. Another suggested genesis for the game states that in ancient times, Chinese warlords and generals would use pieces of stone to map out attacking positions. Further and more plausible theories relate Go equipment to divination or flood control. See also history of Go. Before the industrial age in China, Go was perceived as the game of the aristocratic class while xiangqi (Chinese chess) was perceived as the game of the masses. Go is deep, as playing against any stronger player will demonstrate (Go ranks and ratings#Depth of the game|depth of the game as established by Go ranks and ratings#Go rating with ELO|ELO ranking in Go). With each new level (rank) comes a deeper appreciation for the subtlety involved, and for the insight of stronger players. Beginners often start by randomly placing stones on the board, as if it were a game of chance — and they inevitably lose to experienced players. But soon an understanding of how stones connect to form strength develops, and shortly afterward a few basic go opening theory|common opening sequences may be understood. Learning the ways of life and death helps to develop one's situational judgement. Further experience yields an understanding of the board, the importance of the edges, then the efficiency of developing (in the corners first, then sides, then center). Soon, the advanced beginner understands that territory and influence are somewhat interchangeable — but there needs to be a balance. Best is to develop more or less at the same pace as the opponent, in both territory and influence. This intricate struggle of power and control makes the game highly dynamic. <BR clear="all"\> Image:Go_adjacent_stones.png|frame|left|This picture shows one black chain and two white chains. Their respective liberties are shown with dots. Note that liberties can be shared between stones and chains. If white plays where its two chains share a liberty, the chains will be connected into one. Basic rules Image:Go_capturing.png|right|frame|If white plays at A, the black chain loses its last liberty, and is captured and removed from the board. simplegorules image:Go-small.png|right|frame|Game 5 of the 2002 LG Cup final between Choe Myeong-hun (white) and Lee Se-dol (black) at the end of the opening stage; white has developed large moyo (potential territory), while black has strong influence. Optional rules Optional Go rules may set the following:
Also see go rules, game of go#Go rules of play|Go rules of play and game of go#Strategy|strategy. Basic strategic aspects include the following:
Also see details of Go strategy and tactics, game of go#Go rules of play|Go rules of play, and game of go#Optional rules|optional rules. Although rules of Go can be written so that they are very simple, the game strategy is extremely complex. Go is a Game_theory#Games of complete information|complete-knowledge, Deterministic_system_%28mathematics%29|deterministic, Strategy_game|strategy game: in the same class as chess, checkers (draughts), and reversi. Its depth arguably exceeds even those games. Its large board and lack of restrictions allows great scope in strategy. Decisions in one part of the board may be influenced by an apparently unrelated situation, in a distant part of the board. Plays made early in the game can shape the nature of conflict a hundred moves later. The game emphasises the importance of balance on multiple levels, and has internal tensions. To secure an area of the board, it is good to play moves close together; but to cover the largest area one needs to spread out. To ensure one does not fall behind, expansionist play is required; but playing too broadly leaves weaknesses undefended that can be exploited. Playing too low (close to the edge) secures insufficient territory; yet playing too high (far from the edge) allows the opponent to invade. Many people find the game attractive for its reflection of polarities also found in life. See Go strategy and tactics for an introductory explanation of how to play well, and the Go demonstration game. It is commonly said that no game has ever been played twice. This may be true: On a 19×19 board, there are about 3<sup>361</sup>×0.012 = 2.1×10<sup>170</sup> possible positions, most of which are the end result of about (120!)<sup>2</sup> = 4.5×10<sup>397</sup> different (no-capture) games, for a total of about 9.3×10<sup>567</sup> games. Allowing captures gives as many as
http://senseis.xmp.net/?NumberOfPossibleOutcomesOfAGame possible games, most of which last for over 1.6×10<sup>49</sup> moves! (For two comparisons: the number of legal positions in chess is estimated to be between 10<sup>43</sup> and 10<sup>50</sup>; and physicists estimate that there are not more than 10<sup>90</sup> protons in the entire visible universe.) Computers and Go Although attempts have been made to program computer|computers to play Go, success in that area has been moderate at best - development in this area has not reached the level of Chess programs. Even the strongest programs are no better than an average club player, and would easily be beaten by a strong player even getting a nine-stone handicap. This is attributed to many qualities of the game, including the "optimization|optimising" nature of the victory condition, the virtually unlimited placement of each stone, the large board size, the nonlocal nature of the Ko rule, and the high degree of pattern recognition involved. For this reason, many in the field of artificial intelligence consider Go to be a better measure of a computer's capacity for thought than chess. See the article on Computer Go for details. Use of computer networks to allow humans to meet, discuss games, and play one another, although generally considered inferior to face-to-face play, is becoming much more common. There are servers and software to facilitate this; see Additional Resources below for more information. Other board games commonly compared with Go Go appears to stand apart among games in its rules and gameplay; it is difficult to find another board game which could be considered of the same "family" as Go. However, on learning about the game, people will attempt to compare it with other games they may already have experienced. This is a list of some games that are played with similar equipment or come from the same area.
Traditional Go game equipment Image:1989meijen1.jpg|thumb|After move 40 of round 1 of the 1989 Meijin tournament, little territory has been claimed. Although one could play Go with a piece of card for a board and a bag of plastic tokens, Go players pride themselves on their game sets. The traditional Go board (called a goban in Japanese) is solid wood, about 15–20 cm thick, and stands on its own attached legs. They are preferably made from the rare golden-tinged http://green-water.riken.go.jp/natural-e/Images/tree-watch/000630m/images/000630-35m.jpg Kaya tree (http://ag.udel.edu/udbg/conifers/descriptions/t_nucifera.html Torreya nucifera), with the very best made from Kaya trees up to 700 years old. Players sit on reed mats (tatami) on the floor to play. The stones (go-ishi) come in matching solid wood pots (go-ke) and are made out of clamshell (white) and slate (black) and are extremely smooth. The natural resources of Japan have been unable to keep up with the enormous demand for the native clams and slow-growing Kaya (tree)|Kaya trees; both must be of sufficient age to grow to the desired size, and they are now extremely rare at the age and quality required, raising the price of such equipment tremendously. In clubs and at tournaments, where large numbers of sets must be maintained (and usually purchased) by one organization, the expensive traditional sets are not usually used. For these situations, table boards (of the same design as floor boards, but only about 2–5 cm thick and without legs) are used, and the stones are made of glass rather than slate and shell. Bowls will often be plastic if wooden bowls are not available. Plastic stones could be used, but are considered inferior to glass as they are generally much lighter, and most players find that not even the lower price justifies their unpleasantness. Very high quality table boards can be made of Kaya. Other woods often used to make quality table boards include Hiba (Thujopsis dolabrata), Katsura (Cercidiphyllum japonicum), and Agathis. The dimensions of the board (traditionally the grid is 1.5 shaku long and 1.4 shaku wide (455 mm by 424 mm) with space beyond to allow stones to be played on the edges and corners of the grid) often surprise newcomers: it is not a perfect square, but is longer than it is wide, in the proportion 15:14. Two reasons are frequently given for this. One is that when the players sit at the board, the angle at which they view the board gives a foreshortening of the grid; the board is slightly longer between the players to compensate for this. Another reason is that the Japanese aesthetic finds structures with geometric symmetry to be in bad taste. Traditional stones are made so that black stones are slightly larger in diameter than white; this is probably to compensate for the optical illusion created by contrasting colors that makes the white stones appear larger on the board than black stones. The difference is slight, and since its effect is to make the stones appear the same size on the board, it can be surprising to discover they are not. The bowls for the stones are of a simple shape, like a flattened sphere with a level underside. The lid is loose-fitting and is upturned before play to place opponent's stones captured during the game. The bowls are usually made of turned wood, although small lidded baskets of woven bamboo or reeds make an attractive cheaper alternative. There is even an art to placing a Go stone, held between the tips of the outstretched index and middle fingers and striking the board firmly to create a sharp click. Many consider the acoustics|acoustic properties of the wood of the board to be quite important. The traditional goban will usually have its underside carved with a pyramid called a Heso recessed into the board. Tradition holds that this is to give a better resonance to the stone's click, but the more conventional explanation is to allow the board to expand and contract without splitting the wood. A board is seen as more attractive when it is marked with slight dents from decades – or centuries – of stones striking the surface. Ranks Image:Go_pros_and_amateurs.jpg|thumb|250px|Three Japanese professional Go players observe some younger amateurs as they dissect a life and death problem in the corner of the board, at the US Go Congress in Houston, Texas|Houston, 2003. See main article Go ranks and ratings In countries where Go is popular, ranks are employed to indicate playing strength. From about the sixteenth century, the Japanese formalised the teaching and ranking of Go. The system is comparable to that of martial arts schools; and is considered to be derived ultimately from court ranks in China. Beginning players today start at a rank of between 25 and 30 kyu. The kyu ranking then decreases in magnitude as the player becomes stronger, dropping down to 1 kyu or 1k. Since beginners will commonly progress through elementary concepts quickly, it may be difficult to set a solid kyu ranking for new players. Players who have progressed through the kyu ranks and passed the 1 kyu mark are then ranked at 1 dan or 1d, sometimes called shodan. The player then could advance through the amateur dan ranks up to amateur 7 dan, which only few players achieve. That playing level is roughly equivalent to where the ranks for professionals start with pro 1 dan going up to 9 dan (also sometimes called ping or p as in 9 p to avoid confusion between a 1 dan professional and a weaker amateur 6 dan). The distinction between each amateur rank is, by definition, one handicap stone. Professional ranks are awarded by professional organizations and though they are less well defined, they are closer, so that the difference between an average 1p and a prime 9p may be three handicap stones (however, tournament games are even). In other words, the difference in rank between two players is theoretically equal to the number of handicap stones required for each player to have an even chance of winning. Beating this handicap consistently is the indicator that a player's strength has improved, and his rank should be adjusted upward by one stone, thus changing the number of handicap stones required. Timing Like many other games, a game of Go may be timed. There are three typical methods of timing a game:
Japanese Timing is equivalent to Canadian Byo-Yomi when the "certain number of moves" is equal to one. Top players Although the game was developed in China, in recent centuries the strongest players in the world have come from Japan. However, top players from China (since the 1980s) and South Korea (since the 1990s) have reached the same or an even higher level. Nowadays, top players from these three countries are of comparable strength, although top Korean players seem to have an edge, dominating the major international titles. All three countries have a number of professional Go tournaments. The top Japanese tournaments have a prize purse comparable to that of professional golf tournaments in the United States. Tournaments in China and Korea are less lavishly funded. Players from other countries have traditionally been much weaker, except for some players who have taken up professional courses in one of the Asian countries. This is attributable to the fact that details of the game have been unknown outside of Asia for most of the game's history. A German scientist, Otto Korschelt, is credited with the first systematic description of the game in a Western language in AD 1880; it was not until the 1950s that Western players would take up the game as more than a passing interest. In 1978, Manfred Wimmer became the first Westerner to receive a professional player's certificate from an Asian professional Go association. It was not until 2000 that a Westerner, Michael Redmond, achieved the top rank awarded by an Asian go association. See also Go players See main article history of Go The origins of the game are unknown, but the oldest surviving references come from China in the 6th century BC. Except for changes in the board size and starting position, Go has essentially kept the same rules since that time, which quite likely makes it the oldest board game still played today. It had reached Japan by the 7th century, and gained popularity at the imperial court in the 8th century|8th. By the beginning of the 13th century, the game was played in the general public in Japan. Early in the 17th century, the then best player in Japan, Honinbo Sansa, was made head of a newly founded Go academy (the Honinbo school, the first of several competing schools founded about the same time), which developed the level of playing greatly, and introduced the martial-arts style system of ranking players. The government discontinued its support for the Go academies in 1868 as a result of the fall of the Tokugawa shogunate. In honour of the Honinbo school, whose players consistently dominated the other schools during their history, one of the most prestigious Japanese Go championships is called the "Honinbo" tournament. Historically, Go has been unequal in terms of gender role|gender. However, the opening of new, open tournaments and the rise of strong female players, most notably Rui Naiwei, has in recent years legitimised the strength and competitiveness of emerging female players. Around 2000, in Japan, the manga (Japanese comic) and anime series Hikaru no Go has popularized Go among the youth and started a Go boom in Japan. In January 2004, the Hikaru no Go manga also began running in the American periodical Weekly Shonen Jump|Shonen Jump. Whether this will lead to a strong following in the US is yet to be seen. Elwyn Berlekamp and David Wolfe have developed a mathematical theory of the late endgame in Go based on the combinatorial game theory of John Horton Conway. It is outlined in their book, Mathematical Go (ISBN 1568810326). Whilst not of general utility in most play, it greatly aids the analysis of certain classes of positions. It is worth noting that John Conway developed the mathematical concept of surreal numbers while studying Go endgames. Go has been mentioned in many novels and short stories published in the Orient, and occasionally turns up in Western media as well. The game of Go plays a part in the American TV miniseries, Wild Palms which references a piece of computer technology called a "Go chip." Go figures prominently in the introduction of Nikita to the mysterious character of Jurgen during an important character arc in the television series La Femme Nikita. The game also appeared, unexpectedly, in an episode of Star Trek: Enterprise entitled "The Cogenitor" in which it was revealed that Charles Tucker plays the game. During season 3 of the television show 24_(television), several scenes took place in an underground chinese go club uncharacteristically populated by beautiful women. The characters even called it a "go club," which was probably too technical a term for most of the show's audience. "Hikaru no Go" was a manga and anime series, in which a boy is taught to play Go by the spirit of an ancient Go player. At the end of each episode in the original anime, there is a short segment of approximately three minutes where a simple concept of Go is taught. Through the first few episodes, a new player can be taught the concepts of the game in a very simple and easy to understand format. This segment appears to be mainly geared towards children. In 1951, Nobel Prize for Literature|Nobel Prize-winning author Yasunari Kawabata published The Master of Go, a novel based upon an epic game that took place over the course of several months in 1938. An English translation appeared in 1972, around the time of Kawabata's death. Go was depicted in the films Heaven Knows, Mr. Allison, A Beautiful Mind, Pi (movie)|Pi, Restless (movie)|Restless and Hero (movie)|Hero.
wikiquote Learning Go
Resources
Go history
Go organizations
Internet Go Go can be played on the Internet against opponents from around the world on numerous http://www.britgo.org/gopcres/play.html#server Go servers:
Recorded games
International Go Links
Go software
ca:Go da:Go de:Go (Brettspiel) eo:Goo es:Go et:Go fi:Go fr:Jeu de go it:Go (gioco) ja:囲碁 ko:바둑 nl:Go (bordspel) no:Go pl:Go pt:Go ru:Го sl:Go sv:Go th:โกะ zh:围棋 Category:Go| Category:Board games Category:Chinese games Category:Japanese games Category:Korean culture This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Go (board game)".
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