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March 8, 2014 |
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Hero (zh-cp|c=英雄|p=yīng xióng) is a film first released in China on October 24 2002. It was both the most expensive and the highest-grossing motion picture in Chinese cinema history. It hit U.S. theaters on August 27, 2004, despite the fact that the Asian DVD had already been available for over a year. It became the top-grossing film in the first week of its U.S. debut, at US$18M, and continued to lead the U.S. box office in its second week at US$11.5M. It fell to the fourth place in its third week at US$4.4M. It set a record as the highest-grossing opening-weekend foreign language film in the United States. The U.S. edition of the DVD, with Mandarin, English, and French sound tracks, was released on November 30 2004. Hero is a film of the wuxia genre, directed by Zhang Yimou. It stars Jet Li as the nameless hero, loosely based on the legendary Jing Ke. A team of assassins is played by Maggie Cheung (Flying Snow), Tony Leung Chiu Wai (Broken Sword), Donnie Yen (Long Sky). Zhang Ziyi played a minor role as the character Moon. Chen Daoming plays their intended target, the Qin Shi Huang|King of Qin. <!-- I'm not entirely sure what this is trying to say: The theme song, sung by Faye Wong, was available in end credits and overseas version of the original soundtrack album. --> spoiler The film is set during the Warring States Period. It tells the story of assassination attempts on the king of Qin by legendary warriors who seek revenge for his subjugation of their nation. The king justifies his actions in the cause of unifying China, using the fact that there is no common writing system among the people to illustrate this. In the text at the end of the film, the king is identified as Ying Zheng, who in 221 BC did indeed unite China under his command and become its first emperor, Qin Shi Huang (lived 259 BC|259-210 BC; reigned 246 BC|246–210 BC). The film was Zhang Yimou|Zhang's first attempt at this genre, and it uses a highly unusual structure. Conflicting versions of the events are recounted by different characters, in a structure reminiscent of Kurosawa's Rashomon (film)|Rashomon (1950). Each section uses a different color scheme depending on the narrator's point of view, similar to how different color schemes are adopted in different rooms in Peter Greenaway's The Cook, The Thief, His Wife & Her Lover; Zhang's films often feature rigorous color schemes. An interesting point is that, as the film progresses and more versions of the same story are presented, the characters of the narration improve with each new telling. They grow more intelligent, insightful, and thoughtful as the plot progresses. At the start of the film, during the first story told by the Nameless Hero, Broken Sword is portrayed as a mere brawler and Flying Snow seems ruled by her thoughts of the past and her hatred/love of Broken Sword; at the conclusion of the film, in the Nameless Hero's final story and the scenes after his death, Broken Sword is presented as a deeply contemplative and forward-thinking warrior and Flying Snow is a woman who feels the weight of their entire civilization resting upon her shoulders in addition to her own feelings. They are forced to grapple with complex issues that force them to think rather than fight, and they must weigh their own lives against their entire nation. The film has a tragic structure; its six main characters come to realize that China's unity depends on their own decisions and actions. This feeling of patriotic responsibility conflicts with their own personal desires for revenge, and with their relationships to each other. Ultimately, the film concludes as a classic tragedy. In China, an extended edition of Hero with eight minutes of additional footage was released. It features minor differences in story, music, and fight sequences to those of the theatrical version's. Although inspired in part by the success of films such as Crouching Tiger, Hidden Dragon, the film failed to be as successful as its makers hoped, in part due to criticism overseas at a perceived totalitarianism|pro-totalitarian and Chinese reunification|pro-Chinese reunification subtext. Critics also cited as evidence the support given to the film by the government of the People's Republic of China. These critics argue that the ulterior meaning of the film is the triumph of security and stability over liberty and human rights and that the concept of all under heaven is used to justify the incorporation of areas such Tibet and Xinjiang within the People's Republic of China and promote the reunification of Taiwan with China. This would not be the only time that Zhang Yimou has been thus criticized; Zhang purportedly withdrew from the 1999 Cannes Film Festival to protest similar criticism, though some believe that Zhang had other reasons http://wikisource.org/wiki/Zhang_Yimou_withdraws_from_Cannes. However, defenders of Zhang Yimou and his film argue that the Chinese government's support of Hero is no different from the U.S. military providing support to films such as Top Gun, in which filmmakers portray U.S. armed forces in a positive light. Others reject entirely that Zhang Yimou had any political motives in making the film. It is also notable that Zhang's previous film Raise the Red Lantern had been banned in China. There has been some criticism of the film for its American-release translation of one of the central ideas in the film, All under heaven|tian xia. In this version, the term is translated as "our land", while the term has much broader cultural and linguistic connotations in Chinese, closer to "the world". As, however, China was held at the time of this phrase's introduction and use to be the whole world, the matter isn't clear cut.
Hero was nominated for the Best Foreign Language Film Oscar at the 2003 Academy Awards. Zhang Yimou won the Alfred Bauer Award at the Berlin International Film Festival in 2003 for his work in Hero. Among the film's other awards include the Chicago Film Critics Association' award for Best Cinematography, which it won with Martin Scorsese's The Aviator. It was also the recipient of seven Hong Kong Film Awards in 2003, including Best Cinematography, Best Art Direction, Best Visual Effects, and Best Sound. It was nominated for seven other awards, including Best Picture, Best Screenplay, Best Actress, Best Song, and Best Director. The National Society of Film Critics awarded the director with the Best Director award. The New York Film Critics Circle recognized cinematographer Christopher Doyle with its award for Best Cinematography. The Online Film Critics Society awarded Hero Best Cinematography and Best Foreign Language Film.
Category:2002 films Category:Chinese sword era films Category:Wuxia Category:Best Foreign Language Film Oscar nominee de:Hero (Film) fi:Hero fr:Hero (film, 2002) it:Hero id:Hero (film) ja:HERO zh:英雄 (电影) This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Hero (film)".
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