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March 8, 2014 |
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The instrument consists of a wooden-framed sound box to which two strings are attached. It is held nearly upright with the sound box in the musician's lap or between the musician's legs. The strings are made from hairs from horses' tails, strung parallel, and run over a wooden bridge on the body up a long neck to the two tuning pegs in the scroll, which is always carved into the form of a horse's head. The bow is loosely strung with horse hair coated with larch or cedarwood resin, and is held from underneath with the right hand. The underhand grip enables the hand to tighten the loose hair of the bow, allowing very fine control of the instrument's timbre. The larger of the two strings (the "male" string) has 130 hairs from a stallion's tail, while the "female" string as 105 hairs from a mare's tail. Traditionally, the strings were tuned a perfect fifth|fifth apart, though in modern music they are more often tuned a perfect fourth|fourth apart. The strings are stopped either by pinching them in the joints of the index and middle fingers, or by pinching them between the nail of the little finger and the pad of the ring finger. Traditionally, the frame would have been covered with camel, goat, or sheep skin, in which case a small opening would be left in back, but in modern times, an all-wood sounding board|sound box is more common, in a style similar to European stringed instruments, including the carved f-holes. The morin khuur is one of the Masterpieces of the Oral and Intangible Heritage of Humanity identified by United Nations Educational, Scientific and Cultural Organization|UNESCO. Among the Chinese, the matouqin is one of several instruments in the huqin ("foreign Guqin|qin") family which also includes the erhu. One legend about the origin of the morin khuur is that a shepherd received the gift of a magical winged horse; he would mount it at night and fly to meet his beloved. A jealous woman had the horse???s wings cut off, so that the horse fell from the air and died. The grieving shepherd made a horsehead fiddle from the now-wingless horse's bones, and used it to play poignant songs about his horse. Another legend credits the invention of the morin khuur to a boy named S??khe (or Suho). After a wicked lord slew the boy's prized white horse, the horse's spirit came to S??khe in a dream and instructed him to make an instrument from the horse's body, so the two could still be together and neither would be lonely. So the first morin khuur was assembled, with horse bones as its neck, horsehair strings, horse skin covering its wooden soundbox, and its scroll carved into the shape of a horse head. Chinese history credits the evolution of the matouqin from the xiqin (奚琴), a family of instruments found around the Xilamulun River valley in northwest China. It was originally associated with the List of past Chinese ethnic groups|Northern Xi (奚) people. In 1105 (during the Northern Song Dynasty), it was described as a foreign, two-stringed lute in an encyclopedic work on music called Yue Shu by Chen Yang (author)|Chen Yang. Marco Polo obtained a matouqin while visiting Xanadu|Yuanshangdu (the Upper Capital of the Yuan Dynasty) in 1275 and took it back to Europe. See also: Music of Mongolia http://www.mongolart.mn/traditional_instruments.html Picture of a morin huur<br> http://mongolembassy.com/eng_aboutmongol/culture.asp Page on Mongolian culture, with a history of the development of the morin huur Category:Mongolian music Category:Chinese musical instruments category:String instruments Category:Folk instruments ru:матоуцинь fi:Morin huur This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Morin khuur".
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