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March 8, 2014 |
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Pu borrows from a folk tradition of oral storytelling to put to paper a series of captivating, highly colorful stories where the boundary between reality and the odd or fantastic is successively blurred. Amongst his cast of characters include fox spirit|vixen spirits, ghosts, scholars, court officials, Taoist exorcists and even beasts. Spirits are often shown to be bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical and individual edge to some of the stories. Pu is believed to have completed the tales sometime in 1679. Liaozhai Zhiyi has inspired countless Chinese film adaptations, including those by King Hu ("Painted Skin"), Tsui Hark徐克 ("A Chinese Ghost Story" series) and the Taiwanese director Li Han-Hsiang. The Czech writer Franz Kafka admired some of these tales in translation; in a letter to Felice Bauer (Jan 16, 1913) he described them as "exquisite". Category:Chinese classic texts zh:聊斋志异 This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Strange Stories from a Chinese Studio".
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