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Tai Chi Chuan
Wikipedia
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T'ai Chi Ch'?an (太極拳 in pinyin: tai4 ji2 quan2 lit. taiji fist), and often written inaccurately without the diacritics as Tai Chi Chuan, is an internal Chinese martial art which is known for its health and longevity benefits.
T'ai Chi Ch'?an is also known as an art of moving-meditation based on principles such as
- Continuity Without Interruption
- Use the Mind and Strength (Nei Jin)
- Unity of the Internal (Yin) and the External (Yang)
The form is designed to increase natural strength, nurture relaxation and intuitive responsiveness, provide skills for physical combat, and lead the practitioner to master focus, discipline, balance, and external and internal awareness. As a combat form, it is one of a number of ancient martial arts which are designed to be employed primarily for defense.
"T'ai Chi Ch'?an" loosely translates as "Supreme Ultimate Boxing" or "Grand Ultimate Fist". It is closely associated with the practice of Taoism, and incorporates many Taoist principles into its practice. T'ai Chi Ch'?an is a Chinese art with a history dating back thousands of years. The reason that this art has lasted so long and so many people have dedicated their entire lives to it's study, is that it works and is truly effective.
Learning T'ai Chi is about learning awareness, moderation, receptivity and flexibility at levels both mental and physical, in mind, body and spirit. The principals are taught using the examples of physics as demonstrated by two bodies in combat. In order to receive the healing benefits of T'ai Chi, it helps a great deal to understand the physics of movement (combat). You do not receive the (full) healing benefits without understanding and practicing the principals of physics involved.
In combat, if one uses hardness to resist force then both sides are certain to lose or be injured. This is the extreme limit of yang and the extreme limit of hardness. This is not the way of an evolved individual. In T'ai Chi we learn not to resist, but to go with the flow. Therefore, when others use hardness, we use softness to neutralize it. While others use movement to attack, we use stillness to wait for the attack and neutralize it. Extreme softness and stillness are the fruition of yin (emptiness). When extreme yang encounters extreme yin, the yang will always be defeated. Of this, Lao-Tzu said, "The soft and the pliable will defeat the hard and strong." Wind and water will continually wear away mountains until there is nothing left but beautiful sand beaches.
The following quotes were taken from one of the first writings published on the internal arts written in the late 1800s by Li I-yu, translated by Douglas Wile in Lost T'ai-Chi Classics of the Late Qing Dynasty. This quote conveys the flavor in the practice of this martial art.
"How wonderful is T'ai Chi Ch'?an whose movements follow nature.
The whole body filled with one unbroken chi.
Use the mind and not strength.
The body feels relaxed and the chi lively.
For everywhere chi goes there is a manifestation in the body.
All this is a function of the mind and has nothing to do with brute force.
Movement arises from stillness, But even in movement there is stillness.
The spirit leads the chi in its movement...
Let the strongest aggressor attack us,
While four ounces deflect a thousand pounds."
There are several major styles of T'ai Chi Ch'?an:
Wudang (武當)
Wudang style T'ai Chi Ch'?an concentrates on the spiritual or even transcendental level of T'ai Chi Ch'?an, as a result it is not practised by many today. There is a modern style by the name Wudan, but this is a more practical, self-defense oriented style similar to Wu style.
It is reputed to have been invented by the Taoist priest Zhang Sanfeng (Wade-Giles: Chang San-feng) in the 13th century. Wudang kung fu was first taught to Taoist priests in the Purple Summit Temple on Mount Wudang, where Zhang Sanfeng developed it. However, it was a secular disciple, Wang Zongyue, who first called the art T'ai Chi Ch'?an.
Chen style (陳氏)
Of the many T'ai Chi Ch'?an styles that exist today, the Chen style is best known for its martial art aspects.
Historically documented from the 1700s, it originates in the Chen Clan Village in Wen County (溫縣陳家溝), Henan Province. The first documented teacher was Chen Changxing (陳長興 Chen2 chang2 xing1) (1771-1853). One legend says Chen learned t'ai chi from Jiang Fa (蔣發 Jiang3 Fa1).
Some martial art historians claim that Wang Zongyue taught Wudang to the Chen family, but this cannot be confirmed. On the other hand, the Chen family claims that it was Wang Zongyue who learned T'ai Chi Ch'?an from them.
Yang style (楊家)
The most popular and widespread style (many variations exist).
It was developed in the early 1800s. The founder of Yang style was Yang Luchan (楊露禪), aka Yang Fukui (楊福魁) (1799-1872), who studied under Chen Changxing and later modified Chen style t'ai chi to produce Yang style.
Yang Luchan passed his art to
- his son Yang Jianhou (1839-1917), who passed it to his sons, Yang Shaohou and Yang Chengfu (楊澄甫) (1883-1936). Yang Chengfu removed the vigorous "Fa-jing" (release of power), energetic jumping, heavy stepping, and other difficult movements to create "Dai Jia" (large frame style). Dai Jia has slow, steady, and soft movements suitable for general practitioners. Thus, Yang Chengfu is largely responsible for systemizing and popularizing the Yang style t'ai chi widely practiced today.
- his son Yang Banhou (1837-1890) who taught Quan You, a Manchurian official. His son, Wu Jianquan (1870-1942 , became the founder of his own Wu (吳) style.
- Wu Yu Xiang who also developed his own Wu (武) style.
Other students including:
- Wang Jiaoyu (1836-1939), the founder of Guang Ping style T'ai Chi Ch'?an.
- Wang Lanting, a court official, who taught Li Rui ?Dong, who founded Li style T'ai chi.
- other court officials
Cheng Man-ch'ing (Zheng Manqing), a student of Yang Chengfu, shortened and simplified the Yang form, supposedly to emphasise the health benefits and make it more accessible. According to his students, the changes were introduced to make it more practical as a fighting art. Cheng's style is particularly popular in Taiwan, Southeast Asia and the U.S.A. (where Cheng spent his final years).
Wu style of Wu Yuxiang(Hao) (武家 )
Also called the Hao style, it was founded by Wu Yuxiang (武禹襄) (1813-1880), a student of Yang Luchan. It is an extremely rare style. Wu Yuxiang was apparently a bodyguard at the imperial palace, and combined Yang and Chen style, which he also studied, to form a distinctive style with small movements, highly focused on internal chi movement.
Wu style of Wu Chuanyou (吳家)
Founded by Wu Chuanyou (吳全佑) (1834-1902). Wu style is the second most popular form, after Yang, and emphasises small movements.
Sun style (孫家)
Was developed by Sun Lutang (孫祿堂) (1861-1932), who was expert in all three internal martial arts styles (Xingyi, T'ai Chi and Bagua). He absorbed elements of the Chen, Yang and Wu (Wu Yu Xiang) styles to develop his own style, which is characterized by small circular movements and high stances.
The term "t'ai chi" is held to be related to the t'ai chi t'u (taijitu), more commonly known as the "yin-yang" diagram. T'ai chi techniques thus balance yin (soft/receptive) and yang (hard/active) principles in a number of ways.
T'ai chi training works on the Taoist principle that in order to become hard, one must first be soft; in order to be fast, one must first be slow; and in order to develop strength, one must cultivate weakness. The core of training is the solo form, a slow sequence of movements which emphasise natural movement and relaxation.
The solo form is essentially a catalog of movements that are practiced individually in application scenarios to prepare for combat. In the Yang Style (Chen Man-Ch'ing via Waysun Liao), the form is divided into three sections. The first section is for dealing with opponents, attacks or energy coming from the four cardinal directions (North, South, East & West). The second section is about energy coming from the four oblique angles (The four corners) and the third section is circular tying all the angles and directions into a circular flow, for dealing with multiple energies or opponents.
Other training exercises include:
- weapon forms employing the straight sword (jian), a heavier curved sword (dao, which is actually considered a big knife), fan, staff (bo), and spear. Less commonly known weapons still in use are the cane, nunchaku, Sai swords, rope-dart, tri-sectional staff and steel-whip.
- a two-person form (san shou);
"pushing hands" (t'ui shou / tuishou) - an exercise in which partners attempt to push each other to upset the opponent's balance.
- breathing exercises (ch'i kung / qigong) to develop ch'i (qi) or internal energy. These are often taught as a completely separate system.
T'ai Chi combat techniques are similar to those found in other Chinese martial arts, with an emphasis on close physical proximity and fluid responsiveness. Pushes and open hand strikes are more common than punches, and kicks are usually to the legs and lower torso. Elbows and shoulders are commonly used to strike, and there are a number of locks (chin na), particularly applied to put pressure on the opponent's elbows. Despite its "soft" image, t'ai chi techniques can be lethal or incapacitating, with strikes to the eyes, throat, heart, and groin commonly used. However, most T'ai Chi forms are both trained and physically designed to be employed for defense. Recently there has been some divergence between those who practice T'ai Chi as a combat technique, and those who are more interested in its benefits to physical and mental health.
See also: Qi, Qigong, Taiji
This article is licensed under the
GNU Free Documentation License. It uses material from the
Wikipedia article "Tai Chi Chuan".
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Last Modified: 2004-01-14 |
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